Edward Steichen Day 3

Edward Steichen's Photograph Influences

One of Edward Steichen's biggest influences was his photography idol, Alfred Stieglitz, who was one of the biggest photographer stars of that time period. A major influence prevalent in many of Steichen's works was his time as a lithography designer. This influence is shown in the design of many of his paintings and photographs. 

Edward Steichen Day 2

Edward Steichen's Life Influences

When Edward Steichen was very young, he moved from his home country of Luxembourg to America, where his family eventually settled down in Milwaukee, Wisconsin. At 15 years old Edward began an apprenticeship at a lithographic company, which specializes in printing, where Edward worked as a designer. This was the beginning of Edward's interest and eventual passion for the arts. After five years working at the lithographic company, Edward took up the pursuit of painting, becoming quite well-known. However, this wasn't Edward's only artistic passion, he had acquired a camera during his time at the lithographic company and took lessons from another photographer. His beginnings may have been humble and not so dramatic as other famed artists, but Edward's life influences lead to him becoming a revered photographer and painter.

 http://www.leegallery.com/edward-steichen/edward-steichen-biography

Edward Steichen Day 1

Gloria Swanson by Edward Steichen

This photograph by Edward Steichen features famous American actress Gloria Swanson as the subject of the photo. The photo is in stark black and white with little, if any, shades of gray. This creates contrast between the paleness of her face and the darkness of her hair and the veil covering the whole picture. Her smoky eyes are large and round, staring straight into the lens of the camera. Her face is long and ovular, her nose straight and her eyes decorated with dark makeup under her thin eyebrows. Her lips are also dark, giving the whole photograph a distinct aura of glamour. Her hair is the darkest shade of black in the whole image, cut in a fashionably short bob and drawn back from her face neatly, leaving her face open and unobscured. The most compelling part of the image is the object in the immediate front of the image, taking up the entire space. It is a veil of a sheer black material covered in an intricate flowery design that accentuates her face. The top of the veil consists of large dark flowers and leaves that cover her hair, thinning down into a sparse area of delicate branches and tiny flowering blossoms that decorate her eyes and nose. After the last miniature flower, there is a blank grayish expanse of fabric that leaves her mouth untouched by the flowery images. Immediately underneath her lips are more flowers and leaves curling around the edges of the picture, reaching up to the very perimeter of her face. 

Personal Reflection

Personal Reflection:

1. Why is this photo good (compositional standpoint)?

The subject of the photo (the marshmallow) is displayed in the center of the image, while the coals are in the foreground and the log is in the background.

2. Why do you value this photograph (sentimental standpoint)?

I took it when I was camping with my dad and little sister this summer and it reminds me of summer and good times with my family.

3. How do the other images selected relate to your theme?

They're pictures of my favorite foods, because I like food and it goes with the theme of the marshmallow.

4. Describe the compositional strategies used (Elements and Principles of Design).

I used the elements of line and color, by using the color scheme red-orange-yellow and by using lines to connect the different images on the cover. I used the principle of movement/rhythm by using lines to make the viewer's eyes move from one image to the next.

Sketchbook Cover

S'mores